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Symphonic Band presents "Re-membering"

Thursday, April 11, 2019

 
The Ohio State University Symphonic Band

Scott A. Jones, conductor
Alexander Gonzalez (DMA), guest conductor

8 p.m.  •  Thursday, April 11

 

WELCOME


Thank you for joining us for this final concert of the academic year by the musicians of the Ohio State Symphonic Band…a performance entitled “Re-membering.”

The first work on this evening’s program is a new edition of a march by Karl King by our own Music and Dance Library Director Alan Green. This composition, along with works of many others, came into public domain on January 1, 2019. Celebrated as “Public Domain Day,” 2019 is significant because “it marks the first time in many years that works first registered or published in the U.S. entered the public domain in the U.S. due to expiration of their copyright term.” We celebrate that event, this new edition, and remembering Ohio’s own Karl King with this march he dedicated to the Grand Army Band of Canton, OH.

April 20 will mark the twentieth anniversary of the tragic shooting at Columbine High School. At that time, the worst school shooting in United States history, the event sparked considerable discussion throughout the world. Frank Ticheli’s composition serves as one of many gestures of healing and hope amidst that tragedy, and still resonates today as similar events play themselves out time and time again within our country.

The final work is a premiere of a 31-minute symphony for band by American composer Timothy Mahr. Our Symphonic Band was a member of the consortium to commission this composition, and we have found it to be a remarkable composition — one that makes an important contribution to the repertory of the concert band. You will find great reward in reading the extensive program note below from the composer. He speaks eloquently to the spirit of the composition which contains, at its core, the act of “re-membering.”

Thank you again for investing your time this evening in our students. You have our very best wishes for a meaningful and joy-filled spring!

Scott A. Jones
Scott A. Jones, PhD
Associate Professor
 

PROGRAM

 

McKinley’s Own (1923)


Karl L. King (1891–1971)
ed. Green, arr. Jones and Levesque

Karl L. King was born in Paintersville, Ohio, in 1891. His family relocated to Canton, Ohio, the home town of President William McKinley, around the turn of the century. He became interested in bands, and earned money selling newspapers to pay for his first musical instrument, a cornet. King took lessons under Emile Reinkendorff, the leader of the Grand Army Band of Canton (part of the fraternal organization of veterans of the Union forces during the U.S. Civil War, the Grand Army of the Republic). He eventually switched to playing baritone horn, and studied under William Strassner, conductor of the Thayer Military Band in Canton. King eventually became a member of this band in his teens, and began the study of music composition at this time largely through personal study of scores.

In 1909, Karl King left Canton for Columbus to join the Fred Neddermeyer Band. The following years found King trouping with circus bands, including the Sells-Floto Buffalo Bill Circus and the Barnum and Bailey Circus bands. In 1917 King was hired as conductor of the Barnum and Bailey Circus Band. At the end of the 1918 season King returned to his hometown of Canton, Ohio to lead the Grand Army Band. In 1920 King was lured to Iowa to lead the Fort Dodge Military Band, which was soon renamed the Fort Dodge Municipal Band. King remained leader of this band until his death in 1971, and today this band continues by the name of the Karl L. King Municipal Band.

McKinley's Own

At the closing of the United States Civil War, William McKinley completed his service at the rank of Brevet Major in the 23rd Ohio Infantry on March 13, 1865. His documentation, signed by President Abraham Lincoln, commended McKinley “for gallant and meritorious services at the battles of Opequan, Cedar Creek, and Fischer’s Hill.” Following the war, McKinley returned to his hometown of Canton, Ohio. McKinley was elected as a member of the U.S. House of Representatives in 1877, the 39th Governor of Ohio in 1892, and the 25th President of the United States in 1897.

In 1898, McKinley successfully led the United States to victory as Commander-in-Chief during the Spanish-American War. “McKinley’s Own” was the nickname given to the 8th Regiment of the Ohio Volunteer Infantry during this war. Karl King’s march was written in honor of the 8th Ohio Regiment, and Canton’s Grand Army Band likely had many members of “McKinley’s Own” performing with the band in 1923 when King composed this march and dedicated it to his mentor: “To Emil Reinkendorf [sic], and the famous Grand Army Band, Canton, Ohio.”

The first edition of Karl King’s McKinley’s Own March was published in 1923 in Cincinnati by the Fillmore Brothers Company, and entered the Public Domain in the United States on January 1, 2019. The current edition was prepared from the first edition parts, which we believe to be the sole extant primary source for this composition.

— Note by Alan Green

 

An American Elegy (2000)


Frank Ticheli (b. 1958)

Alexander Gonzalez, conductor

An American Elegy was composed in memory of those who lost their lives at Columbine High School in Colorado on April 20, 1999, and to honor the survivors. Ticheli describes the process of its composition:

I was moved and honored by this commission invitation, and deeply inspired by the circumstances surrounding it. Rarely has a work revealed itself to me with such powerful speed and clarity. The first eight bars of the main melody came to me fully formed in a dream. Virtually every element of the work was discovered within the span of about two weeks. The remainder of my time was spent refining, developing and orchestrating.

After the opening’s hopeful approach, Ticheli considers the scope of emotions that follow tragedy. The melody and harmony equally explore the expressions of healing that the survivors and their community had to experience. After many instances of serenity and sadness, the culmination of the work is a quotation of the Columbine High School Alma Mater.

Frank Ticheli is a member of the composition faculty at the University of Southern California. While his catalog includes works for concert band, orchestra, chorus and chamber music, his compositions for winds and percussion have achieved world-wide acclaim and are performed with tremendous frequency.

Note by Alexander Gonzalez

 

Symphony No. 1


Timothy Mahr (b. 1956)
Commissioning Consortium Premiere

1.  E Pluribus Unum
     —“Out of many, one”

2.  “… to give up every favorite pursuit and lay their shoulder to the work of the day.”
     — Thomas Jefferson

3.  “I thank my God upon every remembrance of you.”
     — Philippians 1:3, King James Version

4.  “Only in the darkness can you see the stars.”
     — Martin Luther King, Jr.

A professor of music at St. Olaf College, Dr. Timothy Mahr conducts the St. Olaf Band, and has taught courses in composition, music education, and conducting. His compositions have been performed worldwide, recorded, and broadcast. He received the 1991 ABA/Ostwald Award for his work The Soaring Hawk.

“My Symphony No.1, commissioned by a consortium of 54 ensembles and premiered in 2016, is comprised of four movements. The first grew from pondering the challenge our nation and world have to come together rather than grow apart; the second is an acknowledgement of the need to focus on work that truly needs to be done; the third is a reverent appreciation of the love, respect and joy to be found in others; and the last embodies hope, finding light within the darkness.

Each movement sprang from contemplating a specific phrase or quotation while searching for the music to capture these four sentiments.

I. E Pluribus Unum — “Out of many, one” — Once the motto of the United States.

An introduction presents fragments of the principal musical ideas to be developed throughout the work, after which a main theme is stated. It becomes one of many as it goes through manipulations and variations. Much of the music is based on an overtone scale based on the keynote of F (an overtone scale is marked by a raised 4th and lowered 7th scale degree — F-G-A-B-C-D-E flat-F). These lead to a culminating unified statement that is strong and defiant.

II. “… to give up every favorite pursuit and lay their shoulder to the work of the day.” — Thomas Jefferson, in an 1803 letter to John Page, former classmate and governor of Virginia, describing the efforts made by the revolutionists who formed our democracy

Solos for flute and clarinet languish in a peaceful melancholy during the opening — the introspective, calm joy of a favorite pursuit. A pressing moment of realization inspires action and an energetic scherzo that derives its melodies and harmonies from the overtone scale ensues. Murky resistance and disorientation are encountered as the path forward is pursued. This is a busy music — it is about work being done. A moment of doubt creeps in, after which the determined hard work continues. A coda pushes the ending toward an agitated climax. Our work is not yet done — much more effort is needed.

III. “I thank my God upon every remembrance of you.” — Paul, writing to the early Greek Christians in Philippi. Philippians 1:3 King James Version

The third movement brings the listener to a welcome place – calm and unhurried, with dissonance at bay. In this turbulent, confusing world, comfort and solace can be found within the close relationships with friends and our reflections upon shared experiences. How grateful we should be for those lovely sustaining memories. An emotional wave of joy and appreciation washes over. More memories return before the movement ends in light.

IV. “Only in the darkness can you see the stars.” — Martin Luther King, Jr.

This is a common paraphrase of a statement King made in his famous “I’ve been to the mountaintop” speech of April 3, 1968. He said, “Only when it’s dark enough can you see the stars.”

"Lovely memories can sustain us, but we often rest uneasy under the burden of others. There is indeed a troubling darkness in this world. As Martin Luther King, Jr. reminds us, the stars, perhaps representing hope, can be perceived from within this blackened depth. A salvation — a darkness-conquering light — can arrive as bursts of energy or gentle, all-encompassing washes to once again bring inner peace.

The project was formulated and implemented by Matthew Dehnel, Director of Bands at Roseville Area High School in Roseville, Minnesota. The work was premiered on November 17, 2016 with Maestro Dehnel leading the Roseville Area High School Symphonic Band. It is dedicated to my family, who sustain me with their love and encouragement.”

 


The Ohio State University Symphonic Band

Scott A. Jones, conductor

 
Musicians are listed alphabetically by section.
 
PICCOLO
Sophie Gallucci

FLUTE
Alexandria Biondo
Vivian Chan
Sophie Gallucci
Irene Guggenheim-Triana
Maggie McCarter ∆
Brianna Nolte

OBOE
Sarah Kline
Zachary Krnach
Jade Robertson § ∆
 
ENGLISH HORN
Zachary Krnach

BASSOON
Dustin Gourley
Maris Haugrud
Adrian Oliver ∆

CONTRABASSOON
Dustin Gourley

E-FLAT CLARINET
Lyndi Knox

CLARINET
William Erickson §
Johnson Gao
Ryan Jaeckin
Lyndi Knox
Fiona Lin
Stephen Mattson ∆
Diana Sari
Michael Smith

BASS CLARINET
Ryan Jaeckin

CONTRA ALTO CLARINET
Noah Krumme

SOPRANO SAXOPHONE
Kevin Ruppert

ALTO SAXOPHONE
Alex Lowe
Kevin Ruppert
Samantha Schafer
Lindsay Smithson ∆

TENOR SAXOPHONE
Courtney Larkin

BARITONE SAXOPHONE
Scott Snyder

TRUMPET
Carson Coldren ∆
Hunter DeWitt
Grant Gerwit
Emma Koors
Kyle Niksa
William Patton
Evan Philipp
Paul Renzi
Jordon Young

HORN
Matthew Berman
Olivia Boden
Jamey Boezi
Trevor Healy ∆
Matthew Mikulich

TROMBONE
Zach Irwin, bass ∆
Ethan Ours
Brendan Timmel

EUPHONIUM
Kathryn Reed
Dawson Taylor
Ben Young ∆

TUBA
Jacob Blevins
Austin Friedrichsen
Nick Hann
Bradley Krak ∆

PERCUSSION
Joe Borgerson
Alex Brudnicki ∆
Tristan Collins
Justin Monroe
James O’Connor
Michaela Poeppelmeier
Krista Staten §

DOUBLE BASS
Christopher Golden § ∆

PIANO
Jiung Yoon *

∆ principal player
§ board member
* assisting musician
 
 
 

 

 

CD cover of At home...the music of Andrew Boysen Jr
The Symphonic Band’s first full-length commercial recording At home…the music of Andrew Boysen, Jr. is available online at most digital download retail websites, including cdbaby.com.
 

Band Department Personnel


Russel C. Mikkelson, director of bands
Scott A. Jones, associate director of bands
Christopher D. Hoch, associate director of bands; director, marching and athletic bands
Phillip A. Day, assistant director of bands; associate director, marching and athletic bands
David Hedgecoth, conductor, Collegiate Winds
Michael Smith, assistant director, marching and athletic bands
Christopher Dent, band office associate

GRADUATE ASSISTANTS

Onsby C. Rose, doctoral conducting associate
Brent Levine, doctoral conducting associate
Alexander Gonzalez, doctoral conducting associate
Joe Carver, doctoral teaching associate
Michael Weintraub, master’s conducting associate

School of Music ​Instrumental Faculty


Katherine Borst Jones, flute
Robert Sorton, oboe
Karen Pierson, bassoon
Caroline Hartig, clarinet
Michael Rene Torres, saxophone
Timothy Leasure, trumpet
Bruce Henniss, horn
John Gruber, trombone
James Akins, euphonium and tuba
Barry Green, double bass
Susan Powell, percussion
Steven Glaser, piano
Caroline Hong, piano
Jeanne Norton, harp

 


Join us…

School of Music performances are free, except for a few premium events.

Outdoor Jazz Concerts • April 12, 15, 18

Men's Glee Club and University Chorus • April 13

Women's Glee Club and Symphonic Choir • April 14

Collegiate Winds and University Band • April 16

Faculty: Caroline Hong, piano, performing
Beethoven's Ninth with Ryan Behan, piano • April 17

Wind Symphony • April 19

First-Year Undergraduate String Orchestra and
University Community Orchestra • April 22

Visit music.osu.edu/events

 

OUTREACH EVENTS FOR YOUNG MUSICIANS

Youth Summer Music Programs • June–July

Visit music.osu.edu/outreach for details and online registration