Ryan Skinner

Associate Professor

Ryan Skinner is an ethnomusicologist who studies the local and global music cultures of contemporary Africa and its European and American diasporas. Specializing in the analytic methods of cultural anthropology and ethnomusicology, his research focuses on issues of popular urbanism, ethics, aesthetics, public piety, cultural politics, intellectual property, and new social movements in the African world. Skinner’s work has appeared in the journals Anthropological Quarterly, Africa, Popular Music, IASPM@Journal, Mande Studies, Research in African Literatures, The Journal of American Folklore, and African Arts. He is the author of Bamako Sounds: The Afropolitan Ethics of Malian Music (University of Minnesota Press, 2015), an ethnographic study of the popular music and culture of Bamako, Mali.

Skinner's current research examines modes of expression, identification and political engagement within an emergent Afro-Swedish community. Rooted in contemporary Sweden and routed throughout Africa and its diasporas, Afro-Swedes are part of a growing African and diasporic presence in contemporary Europe, the product of multiple patterns of tourism, travel, adoption, migration, refuge and asylum over the past six decades. Through ethnographic inquiry, textual analysis and historical study, this work explores understandings and expressions of Afro-Swedish identity in music, dance, theater, film and verbal art. This research has been supported by grants from The Ohio State University, American Swedish Institute, and the American Scandinavian Association, as well as an ACLS Charles A. Ryskamp Fellowship.

Skinner is also the author and illustrator of the award-winning children's book, Sidikiba's Kora Lesson (Beaver's Pond Press, 2008) and is an accomplished kora (21-stringed West African harp) player.

Selected Publications

  • 2016. "Afrosvensk Renässans," Uppsalas Nya Tidning
  • 2015. "An Afropolitan Muse," Research in African Literatures
  • 2013. "Money Trouble in an African Art World: Copyright, Piracy, and the Politics of Culture in Postcolonial Mali," IASPM@Journal
  • 2012. “Cultural Politics in the Post-Colony: Music, Nationalism, and Statism in Mali, 1964-1975,” Africa: Journal of the International African Institute
  • 2012. “Artists, Music Piracy, and the Crisis of Political Subjectivity in Contemporary Bamako,” Anthropological Quarterly
  • 2010. “Civil Taxis and Wild Trucks: The Dialectics of Social Space and Subjectivity in Dimanche à Bamako,” Popular Music
Areas of Expertise
  • Ethnomusicology, Cultural Anthropology,
  • African Studies, Diaspora Studies
  • PhD, Ethnomusicology, Columbia University (2009)

Picture for skinner.176

614 292-9441
101C Hughes Hall
1899 College Rd
Columbus, OH 43210