Lectures in Musicology: Sonia Seeman, University of Texas at Austin

January 27, 2020

4:00PM - 5:30PM

18th Ave. Library, 175 W. 18th, Room 205

Add to Calendar 2020-01-27 17:00:00 2020-01-27 18:30:00 Lectures in Musicology: Sonia Seeman, University of Texas at Austin Sonia Seeman, University of Texas–Austin, presents "Music as Labor; Music as Work: 100 years of Turkish Roman Musician Narratives." Turkish Roman musicians elevate or dismiss their work as “earning bread money” (ekmek parası kazanmak) and point to their tables (feeding their families) and roof (providing shelter). But this disarmingly simple summary belies the complexity of their training, extensive labor, and highly developed guild-like system of in-family training. Roman professional musicianship is a family trade, passed on through generations over several hundred years, and defines kin group as well as individual subjectivity. Furthermore, “Earning bread money” is a mutation for the earlier expression widespread up to the mid-20th century, “music/musicianship is the mold for making bread” (müzik ekmek teknesi). This earlier expression encapsulates the understanding that one’s profession shapes subjectivity as well as the means to survive. And the transition between these two expressions (from “shaping one’s bread” to “earning money for bread”) provides a metaphoric encapsulation of the pre- and early-modern focus on craftsmanship to a period of capitalist — and alienating — exchange of labor for cash. This talk explores these developments through the narrated lives of Turkish Roman professional musicians in their own words, documents, recordings and lived experiences, culled from 25 years of fieldwork and close family relationships, outlining key themes for a new book project. Sonia Tamar Seeman is an associate professor at the University of Texas–Austin in the Butler School of Music and Center for Middle Eastern Studies. She has conducted research and published on the topics of Macedonian and Turkish Roman musical practices. Her works include articles in Ethnomusicology Forum, Middle Eastern Studies Journal, Music and Anthropology of the Mediterranean, and liner notes for Macedonian and Turkish Roman recordings. Her recent book (pictured), Sounding Roman: Representation and Performing Identity in Western Turkey, was published by Oxford University Press in 2019. This lecture is sponsored by the Global Arts + Humanities Discovery Theme of Migration, Mobility and Immobility. Lectures in Musicology is co-sponsored by The Ohio State University Libraries. Lectures are held Mondays at 4 p.m. in the 18th Avenue Library, 175 W. 18th Ave. (Music/Dance Library, second floor, room 205). These events are free and open to the public. Campus visitors, please use either the Tuttle Park Place Garage or the Ohio Union South Garage. All other garages in the vicinity of the 18th Ave. Library are closed to visitors before 4 p.m. Upcoming Musicology Events 18th Ave. Library, 175 W. 18th, Room 205 OSU ASC Drupal 8 ascwebservices@osu.edu America/New_York public

Add to Calendar 2020-01-27 16:00:00 2020-01-27 17:30:00 Lectures in Musicology: Sonia Seeman, University of Texas at Austin Sonia Seeman, University of Texas–Austin, presents "Music as Labor; Music as Work: 100 years of Turkish Roman Musician Narratives." Turkish Roman musicians elevate or dismiss their work as “earning bread money” (ekmek parası kazanmak) and point to their tables (feeding their families) and roof (providing shelter). But this disarmingly simple summary belies the complexity of their training, extensive labor, and highly developed guild-like system of in-family training. Roman professional musicianship is a family trade, passed on through generations over several hundred years, and defines kin group as well as individual subjectivity. Furthermore, “Earning bread money” is a mutation for the earlier expression widespread up to the mid-20th century, “music/musicianship is the mold for making bread” (müzik ekmek teknesi). This earlier expression encapsulates the understanding that one’s profession shapes subjectivity as well as the means to survive. And the transition between these two expressions (from “shaping one’s bread” to “earning money for bread”) provides a metaphoric encapsulation of the pre- and early-modern focus on craftsmanship to a period of capitalist — and alienating — exchange of labor for cash. This talk explores these developments through the narrated lives of Turkish Roman professional musicians in their own words, documents, recordings and lived experiences, culled from 25 years of fieldwork and close family relationships, outlining key themes for a new book project. Sonia Tamar Seeman is an associate professor at the University of Texas–Austin in the Butler School of Music and Center for Middle Eastern Studies. She has conducted research and published on the topics of Macedonian and Turkish Roman musical practices. Her works include articles in Ethnomusicology Forum, Middle Eastern Studies Journal, Music and Anthropology of the Mediterranean, and liner notes for Macedonian and Turkish Roman recordings. Her recent book (pictured), Sounding Roman: Representation and Performing Identity in Western Turkey, was published by Oxford University Press in 2019. This lecture is sponsored by the Global Arts + Humanities Discovery Theme of Migration, Mobility and Immobility. Lectures in Musicology is co-sponsored by The Ohio State University Libraries. Lectures are held Mondays at 4 p.m. in the 18th Avenue Library, 175 W. 18th Ave. (Music/Dance Library, second floor, room 205). These events are free and open to the public. Campus visitors, please use either the Tuttle Park Place Garage or the Ohio Union South Garage. All other garages in the vicinity of the 18th Ave. Library are closed to visitors before 4 p.m. Upcoming Musicology Events   18th Ave. Library, 175 W. 18th, Room 205 School of Music music@osu.edu America/New_York public

Sonia Seeman, University of Texas–Austin, presents "Music as Labor; Music as Work: 100 years of Turkish Roman Musician Narratives."

Turkish Roman musicians elevate or dismiss their work as “earning bread money” (ekmek parası kazanmak) and point to their tables (feeding their families) and roof (providing shelter). But this disarmingly simple summary belies the complexity of their training, extensive labor, and highly developed guild-like system of in-family training. Roman professional musicianship is a family trade, passed on through generations over several hundred years, and defines kin group as well as individual subjectivity. Furthermore, “Earning bread money” is a mutation for the earlier expression widespread up to the mid-20th century, “music/musicianship is the mold for making bread” (müzik ekmek teknesi). This earlier expression encapsulates the understanding that one’s profession shapes subjectivity as well as the means to survive. And the transition between these two expressions (from “shaping one’s bread” to “earning money for bread”) provides a metaphoric encapsulation of the pre- and early-modern focus on craftsmanship to a period of capitalist — and alienating — exchange of labor for cash. This talk explores these developments through the narrated lives of Turkish Roman professional musicians in their own words, documents, recordings and lived experiences, culled from 25 years of fieldwork and close family relationships, outlining key themes for a new book project.

Sonia Tamar Seeman is an associate professor at the University of Texas–Austin in the Butler School of Music and Center for Middle Eastern Studies. She has conducted research and published on the topics of Macedonian and Turkish Roman musical practices. Her works include articles in Ethnomusicology Forum, Middle Eastern Studies Journal, Music and Anthropology of the Mediterranean, and liner notes for Macedonian and Turkish Roman recordings.

Her recent book (pictured), Sounding Roman: Representation and Performing Identity in Western Turkey, was published by Oxford University Press in 2019.

This lecture is sponsored by the Global Arts + Humanities Discovery Theme of Migration, Mobility and Immobility. Lectures in Musicology is co-sponsored by The Ohio State University Libraries.

Lectures are held Mondays at 4 p.m. in the 18th Avenue Library, 175 W. 18th Ave. (Music/Dance Library, second floor, room 205). These events are free and open to the public.

Campus visitors, please use either the Tuttle Park Place Garage or the Ohio Union South Garage. All other garages in the vicinity of the 18th Ave. Library are closed to visitors before 4 p.m.

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