Jim Rupp has toured extensively with the big bands of Woody Herman, Maynard Ferguson and Glenn Miller. He is the drummer on three Woody Herman CDs — The Fiftieth Anniversary Tour which was nominated for a Grammy Award, Legacy, and Live In London. Rupp spent eight years with Grammy Award-winning jazz singer Diane Schuur, and has also performed and toured with artists such as Ray Charles, Tony Bennett, Joe Lovano, Hank Marr, Buddy DeFranco, Maria Schneider, Clark Terry, Joe Williams, Rosemary Clooney, John Fedchock, Natalie Cole, the Cleveland and Columbus Jazz Orchestras, and the Smithsonian Masterworks Jazz Orchestra. These touring credits, plus his educational background, have prepared him well for clinics and performances at colleges and high schools around the country. He has given workshops at the Percussive Arts Society International Convention and the International Association of Jazz Educators Conference. In this capacity he is a clinician for Noble and Cooley drums, Zildjian cymbals, Pro Mark drumsticks, and Remo drumheads.
As an educator, Rupp has taught at Indiana University and the University of Michigan, as well as his current appointment at The Ohio State University. He is also the co-author of an acclaimed drum set method book, “Baby Steps to Giant Steps.” Rupp is a past chair of the drum set committee for the Percussive Arts Society and a past board member of NAMM, the International Music Products Association.
A few notes about jazz percussion from Jim Rupp...
I think you will find Ohio State an exciting university with activities and music in abundance. The university offers an outstanding music school with a faculty that shares your passion for music and is excited to help you reach your goals in music. The jazz area faculty are all outstanding working musicians and can share real-world working knowledge of both playing music and success in the music business. The jazz ensembles at Ohio State have an award-winning tradition and are highly regarded nationally. In addition to the big bands, the Jazz Studies area has eight small combos whose style and focus vary, so that your stylistic experiences will vary. I really believe that the quality, depth, and breadth of all the musical ensembles is a real strength of the School of Music here at Ohio State, and I encourage all my students to take advantage of it. The concert percussion department with faculty members Susan Powell and Joe Krygier is outstanding, and we work together to assure a broad experience in concert percussion as well as drum set playing.
Another advantage of Ohio State is its sheer size! Anything you could want you can find, which allows a student to explore options of both academic and casual interest. By the same token, the School of Music is a tight-knit community and the jazz drumming studio consists of 7 to 10 players, so here you are in a setting that offers the advantages of a much smaller studio.
Along with the advantages of the university itself, there is the metropolitan atmosphere of Columbus where the jazz community is strong and active. National artists work and perform here often. For a jazz major, the exposure to the scene in Columbus is a real plus. You will also find in my teaching studio that local players and alumni who have successful careers are often invited into the studio to give lessons, master classes, and workshops. That exposure to many different players, influences and styles strengthens your playing. Over the last several years we have hosted Jeff Hamilton and his trio, Carl Allen, Stanton Moore from Galactic, Pete Retzlaff from the Drummers Collective in NYC, and Reggie Jackson (Diane Schuur) to give master classes or lessons.
My personal philosophy for lessons is to give you the skills to succeed in whatever direction your career takes you. An emphasis is placed on the hand development techniques of Joe Morello, reading, and developing the ability to play comfortably in a variety of styles. Modern drum set playing evolved from jazz styles, and we will cover that as well as its branching into Latin and funk drumming. My goal is to give you the tools, both musical and business-wise, to succeed in a very competitive industry, no matter where the future of music or your interests take you.
Some frequently asked questions…..
What are the undergraduate audition requirements for the jazz drumming studio?
For the audition, please bring a snare solo or two (one concert-style solo, and possibly a Charley Wilcoxin-style rudimental piece as well). Also, you are encouraged to bring a drum set play-along track and/or transcription to play. You will be asked to play some various styles (swing, samba, etc.) and to sight read a chart using a track through headphones. I also look forward to discussing your goals in music and how Ohio State can help you achieve them.
Who will listen to my audition?
Jim Rupp, instructor of drum set at Ohio State, and one other faculty member will normally hear your audition.
Where can I find information about the degrees offered in The Ohio State University School of Music?
The best place to find general information about the School of Music and its degree offerings is the School of Music website (music.osu.edu). There is a wealth of information that can be very helpful on a variety of topics. For questions you may contact the Undergraduate Studies coordinator at email@example.com or 614 292-2870.
Can you explain the difference between being a jazz studies drum set major and a concert percussion major?
The two areas (jazz studies and the concert percussion studio) are separate entities. If you are accepted as a jazz studies major, that does not mean you are automatically accepted into the concert percussion studio, and vice versa. Separate auditions are required for each. Obtaining a double major in both jazz studies and concert percussion is possible, but you must be accepted into both the jazz percussion and concert percussion studios at the time of your audition. A very positive aspect of the overall experience at Ohio State is that the two studios cooperate to make as complete an experience as possible for students of both studios.
Is it possible for a non-music major to get jazz drumming lessons?
Generally, the slots for private lessons are for music majors, both concert percussion and jazz drumming. Lessons for music minors require special permission and an open slot in the schedule.
Can a non-music major audition for the jazz groups?
All university students are encouraged to audition for any of the jazz groups. A sign-up sheet will be posted on the bulletin board in Weigel Hall (across from the first floor elevator) in early autumn. At the audition you will be asked to play various styles and grooves at the drums and to sight read a chart using headphones. For annual ensemble audition information, visit Ensembles.
If I audition for acceptance into the jazz department studio but am denied, can I audition again?
The School of Music allows students to audition two times for acceptance, but the audition must take place the following year, on one of the regularly scheduled audition dates.
If you have additional questions, please feel free to contact me.